Antonio Machado en diálogo con Emmanuel Lévinas: El compromiso con la objetividad y la otredad," 2020. A mysterious figure stepped in from a arched doorway and bowed to the few children. He was the tightrope walker El Caminante, he came to town every year and walked the tightrope for the people of the Spanish village. The village got more busy since he had entered the village. As soon as he got to the tightrope, a lady asked for a picture of him. He didn’t refuse, he posed and she took the photo. He asked in Spanish, who would like to hold my cape? He gave it to a little girl who looked like the age of eight, and she smiled and said thank you to him. A priest told him prayers before Ballagas, Emilio Del sueño y la vigilia en Antonio Machado. Ballagas. Revista Nacional de Cultura de Venezuela. 1945 (article)

Prowle, Allen (2010) "Sunshine and Shadows: translations from Bertollucci, Machado and Pavese" Nunny Books, 2011. The mysterious man, called El Caminante, strutted nervously to the start of the interminable tight rope, that was a thin as the edge of a paper. He grabbed the balance bar with the villagers watching and he set foot on the rope… He turned away from the hermetic esthetic principles of post-symbolism and cultivated the dynamic openness of social realism. Like such French æsthetes as Verlaine, Machado began with a fin de siècle contemplation of his sensory world, portraying it through memory and the impressions of his private consciousness. And like his socially conscious colleagues of the Generation of 1898, he emerged from his solitude to contemplate Spain's historical landscape with a sympathetic yet unindulgent eye. His poetic work begins with the publication of Soledades in 1903. In this short volume, many personal links which will characterize his later work are noticeable. In Soledades, Galerías. Otros poemas, published in 1907, his voice becomes his own and influences 20th Century poets Octavio Paz, Derek Walcott, and Giannina Braschi who writes about Machado's impact in her Spanglish classic Yo-Yo Boing!. [5] The most typical feature of his personality is the antipathetic, softly sorrowful tone that can be felt even when he describes real things or common themes of the time, for example abandoned gardens, old parks or fountains: places which he approaches via memory or dreams.

Naschy portrays Senor Leonardo, the devil in human form, come to earth to see how mankind has progressed over the centuries. The only condition of his sojourn is that he accept the mantle of mortality. EL CAMINANTE follows Leonardo’s year long journey across the countryside as he visits the seven deadly sins on those who have the unfortunate honor of crossing his path. All of his victims forfeit something for the encounter whether it be wealth, love, manhood, dignity, life or eternal salvation. None are spared as he takes delight in seeing the depths to which an individual will sink. His is a quest to tempt new souls to damnation and all is fair. Ultimately, however, he comes to realize that mankind, on its own accord, has far exceeded his own abilities to corrupt. So much so, that Leonardo, himself, falls victim to his own devices by film’s end. Swear words, sexual references, hate speech, discriminatory remarks, threats, or references to violence

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Times Alone: Selected Poems of Antonio Machado. Robert Bly (translator). Wesleyan. 1982. ISBN 978-0819560810. {{ cite book}}: CS1 maint: others ( link) Dual language edition. Cuando haya varios comentarios, aparecerán en primer lugar los más recientes, aunque también se tienen en cuenta otros factores: el idioma del comentario, si solo contiene una valoración, si también contiene una reseña escrita, etc. Si quieres, puedes ordenar los comentarios o filtrarlos (por momento del año, puntuación de los comentarios, etc.). Idealmente, publicamos todos los comentarios que recibimos, ya sean negativos o positivos. No obstante, no publicamos aquellos comentarios que contienen o hacen referencia, entre otras cosas, a: