Come, little sister,” said the other princesses. Then they entwined their arms and rose together to the surface of the water, near the spot where they knew the prince’s palace stood. It was built of bright-yellow, shining stone and had long flights of marble steps, one of which reached quite down to the sea. Splendid gilded cupolas rose over the roof, and between the pillars that surrounded the whole building stood lifelike statues of marble. Through the clear crystal of the lofty windows could be seen noble rooms, with costly silk curtains and hangings of tapestry and walls covered with beautiful paintings. In the center of the largest salon a fountain threw its sparkling jets high up into the glass cupola of the ceiling, through which the sun shone in upon the water and upon the beautiful plants that grew in the basin of the fountain. The show aired their adaptation of The Little Mermaid on 5 March 1961 as episode 22 during the show's second season. Shirley Temple herself played the mermaid. Unlike the original story, the mermaid does not give up her voice to become human, but she still fails to win the prince's heart when he falls in love with the princess who found him. In the end, when she cannot bring herself to kill the prince with the dagger, she prepares to throw herself into the sea. Neptune himself intervenes and says that for her selfless act, she has earned the right to become a mermaid again and rejoin her family, giving the story a happy ending. White, Susan. (1993) Split Skins, Female Agency and Bodily Mutilation in The Little Mermaid. In Collins, J & Radner, H (Eds.), Film Theory Goes to the Movies. New York: Routledge. The sisters are looked after by their grandmother, who tells them that when a mermaid reaches the age of fifteen, she can rise to the surface of the water and explore the world above the surface. In turn, each of the sisters reaches that age and goes up to the surface, returning below the sea to tell her sisters what she has seen. When it’s finally the turn of the little mermaid, she notices a ship, which contains royalty. The people on board are celebrating the birthday of a handsome prince. The little mermaid is instantly attracted to him.

The fourth sister was more timid; she remained in the midst of the sea, but she said it was quite as beautiful there as nearer the land. She could see for so many miles around her, and the sky above looked like a bell of glass. She had seen the ships, but at such a great distance that they looked like sea-gulls. The dolphins sported in the waves, and the great whales spouted water from their nostrils till it seemed as if a hundred fountains were playing in every direction. Mulvey, L. (1973) Fears, Fantasies and the Male Unconscious or You Don't Know What is Happening, Do You Mr Jones? Spare Rib Magazine, reprinted in Laura Mulvey, 2007, "Visual and Other Pleasures" The Little Mermaid". SurLaLune Fairy Tales. 2005. Archived from the original on 23 October 2018 . Retrieved 9 February 2017. One of the reasons why ‘The Little Mermaid’ is such a rich tale is that it invites these and other interpretations. It might be reductive to view the little mermaid’s actions as solely motivated by love, especially since she appears to long for ‘something more’, something beyond, and that this is reflected from the beginning of the story when we learn that she was more quiet and thoughtful than her five sisters, and that she has a statue of a beautiful boy as the sole ornament in her personal garden. Nothing gave her so much pleasure as to hear about the world above the sea. She made her old grandmother tell her all she knew of the ships and of the towns, the people and the animals. To her it seemed most wonderful and beautiful to hear that the flowers of the land had fragrance, while those below the sea had none; that the trees of the forest were green; and that the fishes among the trees could sing so sweetly that it was a pleasure to listen to them. Her grandmother called the birds fishes, or the little mermaid would not have understood what was meant, for she had never seen birds.This is one of the aspects of ‘The Little Mermaid’ which make it such a rewarding tale (see the picture above for the popular statue in Copenhagen depicting the title character). Andersen avoids the (perhaps expected) happy ending whereby the prince and the little mermaid are married and live happily ever after, with her gaining a soul and truly joining the world of humans.

Header illustration from Prawny at Pixabay, with thanks. LET’S CHAT ABOUT THE STORIES ~ IDEAS FOR TALKING WITH KIDS But think again,” said the witch, “for when once your shape has become like a human being, you can no more be a mermaid. You will never return through the water to your sisters or to your father’s palace again. And if you do not win the love of the prince, so that he is willing to forget his father and mother for your sake and to love you with his whole soul and allow the priest to join your hands that you may be man and wife, then you will never have an immortal soul. The first morning after he marries another, your heart will break and you will become foam on the crest of the waves.” Among the daughters of the air,” answered one of them. “A mermaid has not an immortal soul, nor can she obtain one unless she wins the love of a human being. On the power of another hangs her eternal destiny. But the daughters of the air, although they do not possess an immortal soul, can, by their good deeds, procure one for themselves. We fly to warm countries, and cool the sultry air that destroys mankind with the pestilence. We carry the perfume of the flowers to spread health and restoration. After we have striven for three hundred years to all the good in our power, we receive an immortal soul and take part in the happiness of mankind. You, poor little mermaid, have tried with your whole heart to do as we are doing; you have suffered and endured and raised yourself to the spirit-world by your good deeds; and now, by striving for three hundred years in the same way, you may obtain an immortal soul.”

She was in his thoughts, and the knife trembled in the hand of the little mermaid—but she flung it far from her into the waves. The water turned red where it fell, and the drops that spurted up looked like blood. She cast one more lingering, half-fainting glance at the prince, then threw herself from the ship into the sea and felt her body dissolving into foam. Altmann, Anna E.; DeVos, Gail (2001). Tales, Then and Now: More Folktales As Literary Fictions for Young Adults. Libraries Unlimited. p.179. ISBN 1-56308-831-2. All was joy and gaiety on the ship until long after midnight. She smiled and danced with the rest, while the thought of death was in her heart. The prince kissed his beautiful bride and she played with his raven hair till they went arm in arm to rest in the sumptuous tent. Then all became still on board the ship, and only the pilot, who stood at the helm, was awake. The little mermaid leaned her white arms on the edge of the vessel and looked towards the east for the first blush of morning—for that first ray of the dawn which was to be her death. She saw her sisters rising out of the flood. They were as pale as she, but their beautiful hair no longer waved in the wind; it had been cut off.

You must not think that,” said the old woman. “We believe that we are much happier and much better off than human beings.” The sun had not risen when she came in sight of the prince’s palace and approached the beautiful marble steps, but the moon shone clear and bright. Then the little mermaid drank the magic draft, and it seemed as if a two-edged sword went through her delicate body. She fell into a swoon and lay like one dead. When the sun rose and shone over the sea, she recovered and felt a sharp pain, but before her stood the handsome young prince. No one on earth has such lovely voices as they, but the little mermaid sang more sweetly than all. The whole court applauded her with hands and tails, and for a moment her heart felt quite gay, for she knew she had the sweetest voice either on earth or in the sea. But soon she thought again of the world above her; she could not forget the charming prince, nor her sorrow that she had not an immortal soul like his. She crept away silently out of her father’s palace, and while everything within was gladness and song, she sat in her own little garden, sorrowful and alone. Then she heard the bugle sounding through the water and thought: “He is certainly sailing above, he in whom my wishes center and in whose hands I should like to place the happiness of my life. I will venture all for him and to win an immortal soul. While my sisters are dancing in my father’s palace I will go to the sea witch, of whom I have always been so much afraid; she can give me counsel and help.” So, taking all this into account, what does the story of the little mermaid actually mean? Should we analyse ‘The Little Mermaid’ as a tale about love, or about immortality, or about selflessness, or about religion (the little mermaid wants to ‘live’ forever through some spiritual or supernatural means)?The fifth sister’s birthday occurred in the winter, so when her turn came she saw what the others had not seen the first time they went up. The sea looked quite green, and large icebergs were floating about, each like a pearl, she said, but larger and loftier than the churches built by men. They were of the most singular shapes and glittered like diamonds. She had seated herself on one of the largest and let the wind play with her long hair. She noticed that all the ships sailed past very rapidly, steering as far away as they could, as if they were afraid of the iceberg. Towards evening, as the sun went down, dark clouds covered the sky, the thunder rolled, and the flashes of lightning glowed red on the icebergs as they were tossed about by the heaving sea. On all the ships the sails were reefed with fear and trembling, while she sat on the floating iceberg, calmly watching the lightning as it darted its forked flashes into the sea.