The book presents the women who most influenced Aarons’s life and work—and the other remarkable personalities he photographed along the way—including Audrey Hepburn, the Duchess of Windsor, Diana Vreeland, Esther Williams, Marianne Faithful, and Marlene Dietrich, all featured in unforgettable photographs. The collection contains more than 250 images, the majority of which have not appeared in previous books, along with detailed captions written by one of Aarons’s closest colleagues, Laura Hawk. Laure de La Haye‐Jousselin at the gates to her château in Normandy, 1957. Slim waited four days in the village of Saint‐Aubind’Écrosville to get this shot. Once the scene was set, he not only managed to get the subject to engage with the camera, but got her horse and two dogs to cooperate as well. As Slim’s longtime friend and editor Frank Zachary observed, ‘Slim managed to get the horse to raise his hoof. A real, honest‐to‐God 17th‐century portrait.’ Photograph: Slim Aarons/Getty. Caption: Laura Hawk a b c d Martin, Douglas (June 1, 2006). "Slim Aarons, 89, Dies; Photographed Celebrities at Play". The New York Times. p.A23.

Slim Aarons: Women - The Cut See Photos From the Book Slim Aarons: Women - The Cut

Aarons, Slim; Sweet, Christopher (2012). Slim Aarons: La Dolce Vita (Getty Images). Harry N. Abrams. ISBN 978-1419700606. After the war, SLIM INSISTED—in a phrase that became his leitmotif—he’d allow himself to photograph only “ATTRACTIVE PEOPLE who were doing ATTRACTIVE THINGS in ATTRACTIVE PLACES.” Slim Aarons: Women explores the central subject of Slim Aarons’s career—the extraordinary women from the upper echelons of high society, the arts, fashion, and Hollywood.

After my conversation with Slim’s daughter, who tells me she’s just hours into her Christmas holiday which she will spend cozy at home in Gloucester, Massachusetts, surrounded by snow and a fire, she speaks with her mother for more details about her photogenic but unpleasant Christmas swim. Her memories play out like a sepia-tinged highlights reel of Hollywood’s golden age.

Slim Aarons, Women by Slim Aarons | 9781419722424 | Booktopia Slim Aarons, Women by Slim Aarons | 9781419722424 | Booktopia

Aarons, Slim; Sweet, Christopher (2005). Slim Aarons: A Place in the Sun. Harry N. Abrams. ISBN 978-0810959354. He obviously became close to some of these people,” he added. “He photographed subjects as they came up through society and then photographed their children decades later. These are long-term relationships… but he was also very (much) of a fly on the wall and always kept that professional distance. Aarons captured high-society women and their lavish lifestyles throughout his career, traveling to places like Las Vegas, Bermuda, and Acapulco, where they’d lounge poolside at resorts. He went to their extravagant Palm Beach homes, Spanish villas, and photographed one woman in a Czechoslovakian castle.Still using his birth name George Allen Aarons, rather than his later moniker Slim, he escaped poverty by joining the army as a photographer in his early 20s. Serving during World War II, he honed his craft not at polo matches or pool parties, but in military maneuvers including the Allies’ ill-fated assaults against Italy in the Battle of Monte Cassino. The photographer later “made light” of his experiences, but they stayed with him, Waldron said. Peretz, Evgenia (27 January 2014). "Inside the world of Slim Aarons". The Hive . Retrieved 2017-11-09. In 2017, filmmaker Fritz Mitchell released a documentary about Aarons, called Slim Aarons: The High Life. [9] In the documentary it is revealed that Aarons was Jewish and grew up in conditions that were in complete contrast to what he told friends and family of his childhood. Aarons claimed that he was raised in New Hampshire, was an orphan, and had no living relations. After his death in 2006, his widow and daughter learned the truth that Aarons had grown up in a poor immigrant Yiddish-speaking family on the Lower East Side of Manhattan. As a boy his mother was diagnosed with mental health issues and admitted to a psychiatric hospital, which caused him to be passed around among relatives. He resented and had no relationship with his father and had a brother, Harry, who would later commit suicide. Several documentary interviewees postulate that if Aarons's true origins had been known, his career would have been unlikely to succeed within the restricted world of celebrity and WASP privilege his photography glamorized. [ citation needed] Death [ edit ] Herein lies what Waldron described as the difference between fashion and style – between the transient and the timeless. Indeed, Aarons appeared unconcerned about his subjects’ wardrobes or the trends of the day. Aarons died in 2006 in Montrose, New York, and was buried in Mount Auburn Cemetery in Cambridge, Massachusetts. [1] Bibliography [ edit ]

Life and Legacy of Photographer Slim A New Perspective on the Life and Legacy of Photographer Slim

My problem with flipping through Slim Aarons books, is that while his photos are amazing, they look better online than they do in print.Aarons may have spent half a century surrounded by affluence, but his fixation on glamour may have been rooted in experiences of poverty and war. This copy is for your personal, non-commercial use only. Distribution and use of this material are governed by These are the exceptions, however; throughout, Aarons’s portraits attest wholeheartedly to his intention to make the good life look even better, while also telling us as much about the person behind the camera as the people in front. “In society circles, he was very well known and accepted,” says Hawk, “It was understood that he would never let an unflattering photograph go out there. If he had, it would have affected how he would have been received, so he guarded the outtakes with his life.” Had he not, his photographs might have been a great deal more intriguing – and revealing. Kleenex heir Jim Kimberly (far left, in orange) talks with friends on the shores of Lake Worth, Florida in 1968. Slim Aarons/Getty Images I have seen many of these photos over the years in various publications or references, but to have them all gathered in one location was spectacular!

Slim Aarons: Women Reveals Intimate Portraits of Jackie Slim Aarons: Women Reveals Intimate Portraits of Jackie

Slim Aarons’ most memorable images: Celebrating the ultimate society photographer on the anniversary of his deathPARTY MIX | An outtake from Slim Aarons’s iconic shoot at the Kaufmann Desert House, designed by Richard Neutra, in Palm Springs, California, 1970. Photo: Slim Aarons Aarons was born to Yiddish-speaking immigrants who had lived in a tenement on Manhattan’s Lower East Side. His father, Charlie Aarons (born Susman Aronowicz), distanced himself from the family; his mother, Stella Karvetzky, was sent to a sanitarium. Not knowing what had become of his parents, Aarons spent his boyhood at varying times with an aunt, at an orphanage, and with his grandmother and cousins in New Hampshire. [2] Photography career [ edit ] But according to the author of a new book on Aarons’ work, the photographer’s motive was neither to celebrate nor critique the opulence he encountered. He was driven by a journalistic curiosity about how the world’s most privileged people lived, said Shawn Waldron, who co-wrote “Slim Aarons: Style.” Friedman, Alice T. (2010). American Glamour and the Evolution of Modern Architecture. Yale University Press. ISBN 978-0300116540. Aarons, Slim (1974). A Wonderful Time: An Intimate Portrait of the Good Life. Harper and Row. ISBN 978-0060100162.