From Bengal to boogie: Rupa Biswas, India's rediscovered disco diva". TheGuardian.com. June 21, 2019. Archived from the original on October 20, 2021 . Retrieved October 20, 2021.

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The Motown Story". Rolling Stone. Archived from the original on December 14, 2021 . Retrieved December 11, 2016. Sylvester, a flamboyant and openly gay singer famous for his soaring falsetto voice, scored his biggest disco hit in late 1978 with " You Make Me Feel (Mighty Real)". His singing style was said to have influenced the singer Prince. At that time, disco was one of the forms of music most open to gay performers. [82] a b c "House: Significant Albums, Artists and Songs, Most Viewed". AllMusic. Archived from the original on October 6, 2012 . Retrieved October 12, 2012. Tim Lawrence: "Beyond the Hustle: Seventies Social Dancing, Discothèque Culture and the Emergence of the Contemporary Club Dancer." In Julie Malnig ed. Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader. Urbana and Chicago: University of Illinois Press, 2009, pp. 199–214. Online version: "Beyond the Hustle: Seventies Social Dancing, Discotheque Culture and the Emergence of the Contemporary Club Dancer". Timlawrence.info. September 19, 2013. Archived from the original on October 12, 2017 . Retrieved October 27, 2017. . Lawrence, Tim (2004). Love Saves the Day: A History of American Dance Music Culture, 1970–1979. Duke University Press. ISBN 978-0822331988.Zaleski, Anne (February 26, 2015). "Where to start with '80s U.K. synth-pop". The A.V. Club. Archived from the original on February 27, 2015 . Retrieved August 27, 2015.

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Some notable professional dance troupes of the 1970s included Pan's People and Hot Gossip. For many dancers, a key source of inspiration for 1970s disco dancing was the film Saturday Night Fever (1977). Further influence came from the music and dance style of such films as Fame (1980), Disco Dancer (1982), Flashdance (1983), and The Last Days of Disco (1998). Interest in disco dancing also helped spawn dance competition TV shows such as Dance Fever (1979). Reed, John (September 19, 2007). " DVD Review: Saturday Night Fever (30th Anniversary Special Collector's Edition) ". Blogcritics.

TSOP (The Sound of Philadelphia)" by MFSB with vocals by The Three Degrees, a wordless song written as the theme for Soul Train and a #1 hit on the Billboard Hot 100 in 1974 In the summer of 1964, a short sleeveless dress called the "discotheque dress" was briefly very popular in the United States. The earliest known use for the abbreviated form "disco" described this dress and has been found in The Salt Lake Tribune on July 12, 1964, Playboy magazine used it in September of the same year to describe Los Angeles nightclubs. [14] Donna Summer: I Feel Love" (in German). Zentrum für Populäre Kultur und Musik. May 8, 2017. Archived from the original on May 24, 2022 . Retrieved May 26, 2022. House music displayed a strong disco influence, which is why house music, regarding its enormous success in shaping electronic dance music and contemporary club culture, is often described being "disco's revenge." [111] Early house music was generally dance-based music characterized by repetitive four-on-the-floor beats, rhythms mainly provided by drum machines, [112] off-beat hi-hat cymbals, and synthesized basslines. While house displayed several characteristics similar to disco music, it was more electronic and minimalist, [112] and the repetitive rhythm of house was more important than the song itself. As well, house did not use the lush string sections that were a key part of the disco sound. The anti-disco movement, combined with other societal and radio industry factors, changed the face of pop radio in the years following Disco Demolition Night. Starting in the 1980s, country music began a slow rise on the pop chart. Emblematic of country music's rise to mainstream popularity was the commercially successful 1980 movie Urban Cowboy. The continued popularity of power pop and the revival of oldies in the late 1970s was also related to disco's decline; the 1978 film Grease was emblematic of this trend. Coincidentally, the star of both films was John Travolta, who in 1977 had starred in Saturday Night Fever, which remains one of the most iconic disco films of the era.

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The rising popularity of disco came in tandem with developments in the role of the DJ. DJing developed from the use of multiple record turntables and DJ mixers to create a continuous, seamless mix of songs, with one song transitioning to another with no break in the music to interrupt the dancing. The resulting DJ mix differed from previous forms of dance music in the 1960s, which were oriented towards live performances by musicians. It, in turn, affected the arrangement of dance music, since songs in the disco era typically contained beginnings and endings marked by a simple beat or riff that could be easily used to transition to a new song. The development of DJing was also influenced by new turntablism techniques, such as beatmatching and scratching, a process facilitated by the introduction of new turntable technologies such as the Technics SL-1200 MK 2, first sold in 1978, which had a precise variable pitch control and a direct drive motor. DJs were often avid record collectors, who would hunt through used record stores for obscure soul records and vintage funk recordings. DJs helped to introduce rare records and new artists to club audiences. This record was a collaboration between Philip Oakey, the big-voiced lead singer of the techno-pop band the Human League, and Giorgio Moroder, the Italian-born father of disco who spent the 1980s writing synth-based pop and film music." Cater, Evan. "Philip Oakey & Giorgio Moroder: Overview". AllMusic . Retrieved December 21, 2009. Hubbs, Nadine (May 1, 2007). " 'I Will Survive': musical mappings of queer social space in a disco anthem" (PDF). Popular Music. 26 (2): 231–244. doi: 10.1017/S0261143007001250. S2CID 146390768. Archived from the original on September 5, 2017 . Retrieved September 6, 2019– via Cambridge Core.

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Bernard Edwards, 43, Musician In Disco Band and Pop Producer". The New York Times. April 22, 1996. Archived from the original on April 24, 2019 . Retrieved October 10, 2022. As disco waned in the late 70s, so did Chic's album sales. But its influence lingered on as new wave, rap and dance-pop bands found inspiration in Chic's club anthems The term "disco" is shorthand for the word discothèque, a French word for "library of phonograph records" derived from "bibliothèque". The word "discothèque" had the same meaning in English in the 1950s. Echols, Alice (June 5, 2017). Hot Stuff: Disco and the Remaking of American Culture. W. W. Norton & Company. ISBN 9780393338911 . Retrieved June 5, 2017– via Google Books. a b "How Dua Lipa Is Leading The Charge Toward Disco-Influenced Production". Billboard. March 27, 2020 . Retrieved September 23, 2020. Morley, Paul (August 20, 2009). "Paul Morley's showing off ... Vince Aletti, Bill Brewster and Luke Howard". The Guardian. Archived from the original on April 29, 2020 . Retrieved February 8, 2019– via www.theguardian.com.